TERRENCE CHIN-LOY
Tenor

ABOUT
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American tenor Terrence Chin-Loy, whom Opera News described as having a "beautiful lyric tenor voice” pairs passionate performance with a full, sweet sound. In the 2025-2026 season, Mr. Chin-Loy makes three role debuts, first as Rodolfo in La bohème with Madison Opera, and later as Pinkerton in Madama Butterfly with Arizona Opera, and Edgardo in Lucia di Lammermoor with Berkshire Opera Festival. Elsewhere, he will headline Bozeman Symphony’s Christmas program, sing the role of Lucian in the world premiere of Lalovavi at Cincinnati Opera and Moses in Nathaniel Detts’ The Ordering of Moses with Oakland Symphony. In the 2024-2025 season, Mr. Chin-Loy made his European debut singing Gualtiero in Vivaldi’s Griselda with the Danish National Opera, returned to the Lyric Opera of Chicago for Cop 1 in Blue, sang Ferrando in Così fan tutte with Virginia Opera, Don Ottavio in Don Giovanni with Opera Omaha and in concert, and Graf Albert in Die tote Stadt with Andris Nelsons and the Boston Symphony Orchestra.
Highlights of recent seasons include Mr. Chin-Loy’s solo debut at the Metropolitan Opera in Terence Blanchard's Fire Shut Up In My Bones, Tamino in Die Zauberflöte with the National Taichung Theater in Taiwan, Don José in Carmen with MasterVoices at Lincoln Center, Pang in Turandot with LA Opera, Roméo in Roméo et Juliette, Victor Frankenstein the world premiere of Frankenstein, Henrik Egerman in A Little Night Music, Tamino and Ferrando in Così fan tutte, all with Arizona Opera, the tenor solos in Paul Moravec’s Sanctuary Road with Virginia Opera, and Benny Paret Jr. in Boston Lyric Opera’s production of Champion. In concert, Terrence performed and recorded Taneyev’s At the Reading of a Psalm with the American Symphony Orchestra and Leon Botstein at Carnegie Hall, the Lubbock Symphony for Haydn’s Creation, North Carolina Symphony for Mozart’s Requiem, the Caramoor Festival for an Independence Day celebration concert, the Boise Philharmonic for a performance of Hailstork’s I Will Life Mine Eyes as well as a residency with the College of Idaho.
Other favorite roles include Idomeneo in Idomeneo: afterWARds (Pittsburgh Opera), director David Paul's retelling of Mozart's masterpiece with the composer's original music, Edgardo in Donizetti’s Lucia di Lammermoor (Indiana University) and Younger Thompson in Tom Cipullo's Glory Denied (Pittsburgh Opera, Penn Square Music Festival). He was happy to make his Carnegie Hall debut in Handel's Messiah in the 2018-2019 season.
Terrence is a graduate of Indiana University, where he received a Performer Diploma. He also holds degrees from Mannes College and Yale University. At Mannes, he performed the roles of Laurie in Mark Adamo's Little Women and Bill in the New York premiere of Jonathan Dove's Flight with Mannes Opera, and received the Michael Sisca Opera Award, the school's top prize for an opera singer. Terrence holds a BA in Music from Yale University, where his studies concentrated on Music Theory and Musicology. While at Yale, Terrence was also a frequent performer with the Yale Baroque Opera Project, with which he performed major roles in La Calisto, Il Ritorno d’Ulisse in patria and Scipione affricano. He is a 2018 Metropolitan Opera National Council Auditions National Semifinalist.
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MENTIONS
"Terrence Chin-Loy gave a delightful and convincing depiction of Laurie, both as an adolescent and as an adult. Chin-Loy has a beautiful lyric tenor voice that kept its silken quality even when required to sing in registers that lead many tenors to shriek."
...a powerful vocal performance...his lyric tenor was rich with emotion and expression...breathtaking"
ARIZONA DAILY STAR
OPERA NEWS
As Roméo, Terrence Chin-Loy offered a beautiful, graceful tenor sound and excellent French diction. He had a lot of power for the dramatic moments, and the four duets for Roméo and Juliette made it clear how well their two voices blended together, particularly beautifully in "Nuit d'hyménée!"